Some of the games below this on my list are undoubtedly more substantial, but, looking back, it wouldn’t surprise me if I spent more time with Tiny Wings than the one-playthrough-and-you’re-done action games. It’s beautiful, and as good a time-waster as it is a game of skill, which is more than can be said for that other bafflingly popular iOS game involving birds with questionable flying ability.

I hope the success of iPhone games that are actually built with a touch interface in mind, like this, Infinity Blade and, yes, Angry Birds, will go some way to convincing developers that the middling results when porting ‘proper’ console games aren’t worth the effort when one guy can make a game as effective as this. The iPhone isn’t a 3DS or Vita and never will be, but when its original titles are this good, this addictive, this gorgeous, that’s by no means a criticism.

I’ll admit now that it’s certainly the least well-known game on this list, looking and playing along the lines of a NES Mega Man, but with bite-sized levels and a time attack element that borders on WarioWare in how quickly some of the levels can be romped through in the pursuit of three stars. It’s a perfect format for playing on a phone and is one of a handful of real-time action games that feels both responsive and actually under control when played with on-screen buttons.

In fairness, it’s unlikely to convince people who are already sniffy about iPhone games, but I had more fun with it than many games that cost several times the asking price. To me, it’s an example of why indie devs are enjoying a resurgence, thanks to things like regular free content and functionality updates, and accessible developers that you just don’t get with the EAs and Capcoms. The fact that it’s seemingly done the impossible in making platforming fun with a touch screen is just icing on the cake.

So along comes Game Dev Story, an iPhone simulation of the last 25 years of the games industry. You start with a couple of developers, a handful of genres and settings to choose from, and enough money to develop a game. Make it a success and you can plough funds back into new, increasingly complex games, and as you cultivate a following and begin to establish some commercially viable franchises, generating enough money to buy licences to develop for successive consoles that in no way bear a resemblance to the systems of Nintendo, Sega, Sony and Microsoft. Fail to make it, if that’s possible, and you can bide your time by jobbing on translation projects and porting jobs to make a quick buck.

It’s extremely addictive, and if you have the same affection for gaming in the 80s and 90s as I do, it’ll certainly get its claws into you. But what was more interesting is how it forces you to confront some awkward truths about how this industry works.

Follow the game’s prompts and, sooner or later, you’ll be some kind of mega publisher, every game provoking queues around the block and employing the in-game equivalents of Aaron Sorkin and Lady Gaga to script and score your latest release. But it quickly becomes apparent that the quickest way to the top is to make a couple of hits and then exploit them – that sounds somehow familiar – repeatedly. I’d love to see the Sorkin/Gaga collaboration, but when it’s on a game called Dark Ninja XVIII, it’s not as interesting to me as it could be. And where do you go for the most money after that sells 20 million? Why, Dark Ninja XIX, of course.

Is Game Dev Story some kind of secret Activision PR job, then, intended to get us to see things from the dark side? Or, sadly, just an accurate demonstration of how the games industry really works? I think a look at 2011′s lineup of annual sequels and reboots should answer that.

Depressing as it may be, though, it’s a bloody good little game.

It is, of course, graphically stunning. Ridiculously so, in fact, on an iPhone 4′s screen, and that it was able to make people forget about Rage within days of id’s game’s release says something. But beyond that it’s a great little RPG lite, designed to be played as you might play a game on a phone – that is to say, for a few minutes, which is enough to get in a few fights – and just as at home if you’re pumping a couple of hours into grinding and mastering every item. Word is that it started out as a concept for Kinect, and although I can see that working, it’s better suited to a portable. Getting me physically tired is probably the quickest way for me to get bored of it.

With more content already arriving and some significant expansions promised, I fully anticipate this being a mainstay of my iPhone for some time, and for more than a graphical showpiece for when I want to show off. Chair has also batted two for two as far as my lists go since the beginning of its relationship with Epic (see: Shadow Complex), and even if its future is in classy short-form downloadable releases while the parent company does the big jobs, it’s rightly cultivating a reputation that makes people sit up and take notice when it unveils a project.

Maybe this year will be the one where iOS devices start getting taken seriously as portable gaming systems, because when put next to my DS and PSP in 2010, in terms of play time it wasn’t even close.

But at the same time, if you’re of the opinion that gaming on a phone is no substitute for buttons and a D-pad, it could qualify as your Exhibit A as well. It’s limited, largely on rails, consists mostly of the same 20 minutes or so of gameplay repeated infinitely, and the occasional death because you missed the on-screen dodge button isn’t out of the question.

I’m firmly in the former camp on this one, though. But beyond being a technical showpiece it’s a great little action RPG, ideally suited for playing on a phone and being quite unique in its ability to blend Demon’s Souls with Punch-Out. It’s also nice to have a game from Epic that looks so different to what we now expect from Unreal Engine games, and the fact that this was developed by Chair, the team behind the similarly impressive Shadow Complex, suggests great talent in that studio.

Rage HD is somewhat disappointing in that, beautiful as it is, it’s largely a tech demo with some on-rails score-chasing shooting, whereas Unreal Engine 3 has had its iOS tech demo in the awesome Epic Citadel – and didn’t charge for it. Infinity Blade is a big advert for the engine as well, but it’s also a brilliant little game that would still be worth buying had it looked like a PS1 game. Having put hours numbering well into double fingers into this already, I eagerly await the promised updates with new loot, new areas and – YES! – online play.

With yesterday’s release of iOS 4.1 and with it Game Center, Apple’s made quite a significant move, issuing an admittedly limited but still promising gaming network, and the first on a portable gaming system that comes close to the ubiquity of Xbox Live and PSN. It’s arguably even more so, given that you have an essentially permanent connection through which to manage your friends and achievements – the current PSP and DS hardware wouldn’t be able to equal it in that respect even if they tried.

At this early stage Game Center is pretty bare bones, below even existing third-party attempts like OpenFeint and Plus+ in features and support, but it’s the ubiquity that makes it a big deal. That and the fact that it’s really Apple’s first ever move into the gaming market. Now every one of those 230,000 new iOS devices activated each day has a bona fide gaming network built in, and although not everyone will use them for games, the 120 million iOS devices sold since 2007 shits all over the records of any console ever – going by these figures, only two consoles have ever exceeded that mark, and both of those did it with more than a decade on the market.

Many gamers will, of course, never take it that seriously. Gaming on iOS is a secondary feature, and it’s a secondary feature on a portable, which some stubbornly refuse to give the credit of the ‘real’ consoles no matter what huge franchises turn up on them. I can definitely see that perspective for iPhone games, as many attempts to cram existing games onto the touch controls make early attempts at putting an FPS on the PSP feel like a mouse and keyboard, but it’s still the first go-anywhere system with an always-on Internet connection and a proven digital distribution model – it’s the kind of thing that only a few years ago we’d fantasise about future consoles doing, and it got in by the back door.

Is the iPhone going to kill the 3DS before it even gets to market? No, of course not. It’s going to be a serious player, though; I’m sure of it. It’s already everywhere, it’s been shown to be a graphical powerhouse, and games are dirt cheap. You won’t see its impact in the charts, which makes it something of an oddity, but expect impressive graphs when Steve Jobs steps out on stage in January.

Nonetheless, I picked up DoDonPachi Resurrection at its special launch price for the iPhone version, having been impressed with the demo of Espgaluda II, and I must say it’s blown me away. This is a relatively recent arcade game that’s due for an Xbox 360 port later in the year, and the kind of thing that hardcore players would have complained that fairly recent systems couldn’t duplicate, and I’m playing a fine version with online leaderboards and assorted playing modes on my phone. I’ve made such an exclamation whenever the iPhone does something remotely impressive, but it still keeps managing to surprise me.

Even at its new price of £5.49, I have to recommend this as one of my favourite iPhone games. It’s a wonderful conversion of a really brilliant game, and even at that price, this is a game that’s good enough to justify a full-price 360 release in November. Even for people who find bullet hell shooters impenetrable, this version manages to be extremely accessible thanks to the 1:1 touch controls, making fine movements easier and your ship capable of much faster motion than will be possible with a joystick. Purists might complain that this makes it something of a Fisher-Price version, but as someone who, you know, plays games to have a good time, you’ll get no such grievances from me.

Look me up on the OpenFeint leaderboards if you’re a fan – the name is, as always, NekoFever.

There is clearly an issue with the iPhone 4′s antenna design when it comes into contact with human skin, and while it has a negligible effect in places with a strong 3G signal, anywhere that doesn’t show up the full five bars – like, say, my flat, or anywhere that isn’t Cupertino – runs a serious risk of dropping the signal completely.

I was willing to wait on a firmware update that could mitigate the problem somehow, even as the possibility of that looked more remote with each controlled test that demonstrated the problem, and I would have accepted an admission that the design was flawed and a free bumper, but Apple’s head-in-the-sand attitude was taking the piss, and the recent press release on the matter was a joke too far.

Users observing a drop of several bars when they grip their iPhone in a certain way are most likely in an area with very weak signal strength, but they don’t know it because we are erroneously displaying 4 or 5 bars. Their big drop in bars is because their high bars were never real in the first place.

To fix this, we are adopting AT&T’s recently recommended formula for calculating how many bars to display for a given signal strength. The real signal strength remains the same, but the iPhone’s bars will report it far more accurately, providing users a much better indication of the reception they will get in a given area.

Obi-Wan Kenobi would be proud of Apple’s attempt to hand-wave the issue away there. It’s admitting that there’s a problem with the iPhone’s reception and promising a software fix, but ignoring the fact that holding the iPhone 4 in the ‘wrong’ way will still drop the connection if you’re in less than ideal conditions. Whether I’m going from four bars to none or a more accurate two bars to none, I still end up with none. That means no calls, no texts, no email, no Internet, and a pretty crap phone.

But hey! Spend £25 on a ring of plastic – already a significant hike on the $30 US price – and Apple will solve the issue for you. Brilliant…

I know it’s embarrassing, and I know it’s potentially expensive, but this is an unacceptable design flaw that could have been solved without any aesthetic ill-effects with something as simple as a coating of nail polish on the metal parts – and I’m sure that Apple could come up with a less kludgy solution. I like Apple’s products, but I hope that one of the inevitable lawsuits forces it into addressing the fundamental problem with its new phone. The handling of this debacle has been nothing short of appalling, and when word of mouth gets around about how bad the iPhone 4 is at sustaining a workable signal because you had the temerity to touch the outer casing, I hope it does some damage to the iPhone brand. Tough love is apparently the only way that corporations will learn.

I’m going to wait and see for now. It’s under warranty and if there’s a fundamental problem it will come out soon enough. Let’s just hope that it doesn’t take as long to be solved as the red ring of death did.

Its form should be obvious from looking at the above screenshot, because it’s pretty much Advance Wars. Most of the mechanics are identical, and it’s only that your units can transform into vehicles to further their movement allowance, the downside being that you’re defenceless in this form – makes sense for a VW Beetle, but not so much for a fighter jet – that really differentiates it at all. Fangasms will be had over the 3D models on the battle screens, there’s a bit of Transformers storyline in there, and there are ‘Showdowns’ that make use of characters traits, like a single Autobot desperately powering up before Trypticon reaches him, but there’s still not much to separate Optimus Prime and an Advance Wars tank.

Who cares, though? I wanted a good Transformers game and now I’ve got one, and it cost me less than today’s lunch did. Awesome.

But as with anything like this, there’s some real crap on iTunes. For this reason, here are a handful of iPhone games that I think do a particularly good job of playing to the format’s strengths, without trying to shoehorn in traditional, button-reliant gameplay.

• Airport Mania: First Flight (£0.59; Lite version available) – This is a representative of the popular ‘time management’ genre, this time casting you as an air traffic controller. Handle queuing up the aircraft for runways, terminals, repairs and refuelling, making sure not to keep them waiting too long, lest they give up and leave for another airport. It’s fast, makes intuitive use of the touch screen, and it’s only 59p. Quite a reasonable amount of content, too.

• Flight Control (£0.59) – Another air traffic controller game? Don’t be fooled. They’re not really that similar. Flight Control is more of an old-school arcade game where you try to land as many aircraft as possible by managing their flight paths so that they don’t collide, drawing them with your finger. It gets more complicated as the screen fills with jets of different speeds, and has a nifty leaderboard system that actually uses the phone’s GPS to put you in a local leaderboard. I thought that my high score of 48 was fairly respectable, but someone within a mile of me has somehow managed 194. I’ve got work to do. Oh, and it’s 59p again and has a pretty nice age of flight theme.

• MotionX Poker (£1.79; Lite version available) – One of the earliest hit iPhone games and now actually has two versions: MotionX Poker and MotionX Poker Quest – they have pretty much identical gameplay, so it’s all down to whether or not you prefer the Chinese or ancient Egypt theming. Use the accelerometer to shake up your dice and aim to create dice poker hands against the computer. It’s got a pile of unlockable dice and achievements, and it’s maddeningly addictive – I’ve clocked up 12 hours across both versions.

• Rolando 2 (£5.99) – It’s a couple of quid more than its still-excellent predecessor, but I think it’s worth it. The original was more than slightly ‘inspired by’ Sony’s LocoRoco, adding in the tilt controls that that game was really crying out for, but this one outdoes it with 3D environments, a much better difficulty curve, more innovative uses of the iPhone controls, and a lot of game for your money. The original is still getting free updates with bonus levels, so expect to get plenty for your money here.

• Star Defense (£3.49) – My favourite of the popular tower defence genre, with cutting-edge graphics and connectivity, including day one use of push notifications and ngmoco’s new Xbox Live-esque Plus+ network for challenges. It really does look gorgeous, and it’s a great example of the genre, whether you’re a beginner like I was or an experienced tower defender. Did I mention that it’s really, really pretty?

• UniWar (£1.79) – It’s described as a cross between StarCraft and Advance Wars, and that pretty much sums it up. It plays very similarly to Nintendo’s turn-based strategy series, with three factions/races that bear more than a resemblance in looks and style to Blizzard’s series. What impressed me the most, however, was the suite of multiplayer options, from the obvious system-sharing style that suits the portable format to the 21st Century equivalent of correspondence chess, where you are notified of a remote opponent’s turn via email, with a link that’ll take you straight back into the game. It’s more expensive than what I paid when it came out, but I still think it’s worth it.

• WordFu (£0.59) – The third and final ngmoco game on the list, which combines MotionX Poker and Boggle to decent effect. Set out your dice in a world with a slightly incongruous kung-fu theme, and make as many words as you can in 45 seconds. Ideal fare for bite-size gaming on the bus or when you find yourself at a loose end for a few minutes, which is what the iPhone is great for.

• WordJong (£1.79; Lite version available) – Another word game, but this one is slightly more involved. Create words to clear a board and get a high score, but it gets tricky when you have to completely clear it without any leftovers. There’s a new puzzle every day – not to mention a massive backlog of them by now – so comparing scores is easy if you have friends with the game. But what is it with word games and martial arts themes on the iPhone?

• Zen Bound (£2.99; Lite version available) – This is probably the most arty game here, but it’s a great demonstration of both the iPhone’s graphics and up there with Star Defense as an example of how multitouch controls work. Wrap a tethered rope around a wooden carving to paint it, getting higher scores for using less rope or covering more of the shape. No time limits or anything like that means it’s a great game to chill out with, boasting a brilliantly mellow soundtrack – free to download when you buy the game, incidentally – that, as one of the opening splash screens suggests, is best experienced with headphones.

All prices are correct at the time of posting. Feel free to let me know any of your recommendations that I might not have spotted and I’ll do a follow-up at some point, because, judging by the variety on offer after only a year, what we have in 12 months could be very exciting.