Somehow, Corruption is both the best and worst of the Metroid Prime series. It’s the best looking, it has the smoothest difficulty curve, and yes: it has the best controls.
It proves once again that when controls are tweaked with the Wii in mind rather than crowbarred onto the remote that it’s a very capable control system. I couldn’t imagine playing Halo on the Wii remote but at the same time I couldn’t imagine playing Metroid Prime on a 360 controller. It has its place, and that’s fine.
My main complaint is that it’s continued the shift away from what makes a Metroid that was started in Metroid Prime 2 and Hunters, and this one really suffers the most from it. This series is about isolation on a hostile planet, whereas Corruption has an opening that infamously echoes that of the first Halo to an almost plagiaristic extent, and most of the planets will have you running into fellow bounty hunters and receiving communications from the Federation. I’m not the only one to have also noted that these aspects aren’t particularly well done either, making them especially alienating for fans.
Still, these issues are with the story, which is thankfully a largely secondary distraction. The good stuff is just as good, and the token gimmick (the titular corruption of the phazon variety) is better than the annoying Dark Aether guff in Metroid Prime 2. It’s a great sci-fi adventure and, if Retro can get over the temptation to lean too much on the story, leaves me keen to see what they can do with their obvious talent and the best first-person shooting controls on a console.
If I wasn’t giving it its little bit of recognition here, this would be a shoo-in for one of those fun but meaningless awards like ‘best game nobody played’ or ‘most overlooked game of the year’ (surely an oxymoron if you’re recognising it with an award?). It’s been and gone so completely that it’s hard to believe that it actually came out this year.
It felt to me like 2007 was a poorer year than previous for the DS in all respects but sales, which are still in the stratosphere. The new entry into the Ouendan series lacked the immediate appeal that the first game had, and even Zelda seemed to arrive with little fanfare, missing out on the event game status that New Super Mario Bros enjoyed. Hotel Dusk, though, is a uniquely DS game that won me over with its noirish style and storyline. It really wouldn’t have worked as well on any other platform.
While far from perfect, it was able to tap my enthusiasm in for a number of different things. The old adventure games, for one. And noir. And the brilliant design decision to hold the DS vertically like a book, emphasising the pulp novel influence and really making it perfect to play on the bog, and allowing for the genius idea of writing your own notes in your notebook. If only they’d fixed some of the minor annoyances – slow text scrolling is a pet peeve of mine, and the plot progression wasn’t always smooth – Hotel Dusk could have been even higher on this list. More adventure games please, Nintendo. Or make LucasArts do the right thing.
But in the meantime, play this one. I’m sure it’s cheap now.
I think I’m with most gamers when I say that my biggest question regarding this unusual collaboration is what exactly Mario is doping to enable him to match Sonic in a foot race. After having spent an afternoon with the game at the Wii Flat in London, I’m even more confused. Mario was pretty brisk if you held the run button, but when Bowser, Wario, and Eggman can keep up…well…it’s madness!
Once I was over my apoplectic fit and could put aside my inner fanboy, however, I couldn’t stay angry with it. I was too exhausted to…
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At the risk of attack from the Nintendo fundamentalists, Mario Sunshine really wasn’t that great. It was good, but compared to the almost unimpeachable Super Mario 64 (as far as I’m concerned, the best game of the 32/64-bit generation), it felt soulless and disappointing.
So we arguably haven’t had a truly great Mario in over a decade – come on, New Super Mario Bros was hardly Mario 64 – aaand…now that Super Mario Galaxy is here, we do. The hit ratio may have dropped since we had Super Mario Bros 1-3 plus World in five years, but now, even without Miyamoto at the helm, the standards for Mario have been put back as high as they should be.
While I think that those calling this the greatest Mario game ever are simply wrong, the comparisons that have been made between this and Super Mario Bros 3 are apt. Both games took the fairly conservative design of a previous game and just went a bit mental, but whereas the limits of SMB3′s madness were enemies with gigantism, flying raccoons, and a tanuki suit that inexplicably transformed Mario into a statue, Galaxy runs with it.
Such concepts as gravity – surely essential to a platform game – become meaningless. And while the race against the penguin in Mario 64 had some context, Galaxy’s equivalent is to have a community of penguins who surf on a smiling manta ray. It gives no explanation and clearly delights in the bemused expressions that such flights of fancy will induce. It’s a wonderful game that’s gloriously fun to just go with. And the space setting, unbounded by any real level structure (you can get completely different level designs within the same galaxy), has let them take a pile of concepts that couldn’t be expanded into a whole game and simply use them as single, throwaway levels. It seems almost profligate to use some great ideas in such a manner, but really it’s better that they go here than in a minigame compilation.
My one complaint would have to be that the mechanics sometimes can’t keep up with the design. Things haven’t really moved on since Mario 64′s benchmark for a 3D camera, and it sometimes doesn’t work with these far more complex level designs. The camera will more often than not be impossible to move manually – I don’t remember this ever being the case in Mario 64 – and just occasionally this will leave you looking at Mario’s shadow through a solid structure or with an awkward angle on a jump that could lead to oblivion if missed. It doesn’t happen all the time by any means, but it happens just enough to annoy.
Similarly, the human brain (or mine at least) can occasionally seem as incapable of keeping up as the camera. Mario can continually flip and take the controls with him, while I occasionally spent half a second flapping around in an effort to work out whether up was still up. Call it my failing rather than the game’s, if you like, but the fact is there is some inconsistency, such as when one double-sided surface in one galaxy will let you run seamlessly around the edge and onto the other side, whereas one in the next galaxy that is identical in all but theme will dump you off into a black hole if you try the same manoeuvre. As with the camera, it only happens enough to be an irritation.
It would be churlish of me to call this anything other than a great game because of a couple of qualms, though. This is still by far the best game on the Wii (no jokes, please) and, like its forebears, it will stick in the memory well beyond most of the big hits of this generation. This game reminds you what Nintendo can be when they stop thinking about minigames.
Having shared some of my favourite custom themes for the PSP in the previous post, I now bring you what I have to show for the last couple of days.
I don’t think it’s half bad for a first attempt, although perhaps I could have gone for a bit more consistency with the logos I used to mark options. And it is, of course, yet more proof that I need something more productive to do with my time.
Feedback is welcome.
So Solid Snake isn’t the only non-Nintendo character to make it into Smash Bros Brawl, as Nintendo has announced that Sonic will be pitting himself in mortal combat against Mario for the first time. Now we know how Sega got permission to put Mario into its Olympic game, then.
I was very indifferent towards Smash Bros Melee, probably because it came out at the same time as I was getting into Street Fighter III: Third Strike’s home debut on Dreamcast and, let’s face it, in a battle of fighting mechanics only one of those is going to come out on top. It was an enjoyable little fanwank but I find myself constantly baffled by lists putting it up there as one of the best games of all time. It’s not. Seriously, it’s not. It’s not even close to being the best game on GameCube, and that’s saying something.
As such, my anticipation for Brawl was almost nil. I still need to buy Metroid Prime 3, and that gets the nod over Smash Bros for having a proper single player experience in there. But this has changed things entirely. The original Smash Bros may have been wish fulfilment for a lot of people who grew up with Nintendo, but in making a fighting game with Mario and Sonic, Nintendo have gone and created my most wanted game from about 1993. Seriously, if I’d told 8-year-old self about this game my little head would have exploded.
So what are the odds on Snake slitting Sonic’s throat for that awful next-gen abortion? Don’t go all family friendly on us, Nintendo.
