Category Archives: Movies & TV

The Sarah Connor Chronicles is Rubbish

I’ve given it a chance, I really have, but I can’t keep living this lie.

The first two Terminator films are among my favourites ever and I don’t even find the third completely objectionable, but this new TV show is a blight on the series. A 9.1 user rating on TV.com? Nothing but proof that people do, in fact, have no taste. They’ll come to their senses eventually, once the novelty has worn off; it’s like when the Star Wars prequels went straight into the IMDb chart, before everyone came to their senses.

It’s not for any frivolous reason, like that Lena Headey looks distractingly not at all like Linda Hamilton (although couldn’t they have dyed her hair?). Or that Summer Glau is just playing River again. Or that the T-888 hides a pistol inside its leg, creating another plot hole to try to fill – why didn’t Arnie bring back a phased-plasma rifle in the forty watt range for any of his appearances? I can just about live with the fact that there are suddenly tons of Terminators sent back and a similar number of resistance fighters. Anything beyond Terminator 2 isn’t canon in my book, anyway. Just make it entertaining.

But this isn’t, which is the problem. Think of those little internal monologues from Sarah Connor in Terminator 2, when she was sitting and watching the terminator and John talking as she waxed philosophical about the nature of human existence – it happened maybe three times in two-and-a-half hours of film. It happens to a similar extent in every single episode of The Sarah Connor Chronicles, and those are only about an hour. All she needs is black makeup and a MySpace account on which to write shitty poetry.

Now anyone who knows me knows how much I like Firefly – I own three copies of Serenity across two formats, and fully intend to buy the Blu-ray as well – but I just don’t like Summer Glau in this. Like I said before, she’s playing the same emotionally distant killing machine, struggling to relearn about human emotions. Expect her to either (metaphorically) descend into the smelter by the end of the series, since I don’t expect the writers to be creative enough to anything else with it. They couldn’t better the thumbs up from T2 as an emotional coda, anyway.

To be fair, I have enjoyed some moments. Despite making little real sense (a bath full of blood that attaches to him in a humanoid shape? Really?), Cromartie’s quest for some artificial flesh was reasonably effective, and given the television budget I liked his paintball mask and trench coat combo as a means to avoid showing CGI endoskeletons in every scene, in that it didn’t make me roll my eyes. Although I’ve come to love it as a plot device now, the same can’t be said for the humanoid Cylons in the new Battlestar Galactica.

But despite these flaws, I can say with absolute certainty that this will be better than the new series of Doctor Who, simply for not having any Catherine Tate. It’s undeniable.

RIP HD DVD

Blu-ray wins?

So CES hasn’t officially started yet, but the first megaton of 2008 has been dropped as Warner, currently the biggest studio for HD releases, confirmed that in May they’re dropping support for the HD DVD format. With only two major studios now supporting HD DVD, and one of them on a time-limited contract, it looks like the end of the HD format war is in sight.

The writing has been on the wall for a while now. Despite occasional better versions and, for me at least, a number of compelling exclusive titles, that was probably the death blow for HD DVD. It’s being reported as such, and even the comments from Toshiba have an air of resignition to them. There’s none of the bullishness that was usually found in press releases from both sides, and the cancellation of the HD DVD conference speaks volumes. They were blindsided and need a miracle, frankly.

Ultimately it’s good for HD movies. It will bring stability to the market that it hasn’t had and has probably been a contributor to the tiny size of the market for HD movies so far. I still don’t think Blu-ray will ever come close to the popularity of DVD, but now those who have been sitting on the fence can grow the market. Paramount certainly won’t stay exclusive when their contract period is up, and that will leave Universal as the last ones at the party.

I’m keeping my HD DVD player and keeping my collection, but now I’m only buying the biggest exclusive titles on HD DVD. That means Sweeney Todd and…uhh…hmm…

*goes to watch Serenity on HD DVD again*

Transformers Movie Review

Optimus Prime

As a card-carrying Transformers fanboy I went into this not knowing what to think. On one hand if there was anyone who could do big fighting robots justice it was Michael Bay, and on the other hand…Michael Bay. I liked The Rock and everything but his is hardly the most glowing filmography.

Transformers has all the trapping of a Bay film – kissing against a sunset as a rock ballad plays in the background, sweeping shots of pilots manning their jets, and knowing nods at his previous work (at one point someone shouts “this is even better than Armageddon!”, a statement that most will find impossible to disagree with) – and although the dialogue has its share of clangers and misplaced humour, not to mention a story that anyone who isn’t used to the cartoon will find baffling, it’s something that most fans will love. Thankfully he gives the scenes that need it room to breathe, so moments like the arrival of the Autobots are almost majestic thanks to the great choice of music.

Shia LeBeouf is remarkably bearable in a role that could easily have been outright annoying and carries the film, while the performances behind the robots themselves are stellar. Peter Cullen reprises his role as Optimus Prime and gives the character the appropriate amount of gravitas, getting far more screen time than any other speaking Transformer and even pinching a few crowd-pleasing lines from the animated film, while Hugo Weaving’s Megatron is effective when he eventually makes an appearance. No need to be annoyed that Frank Welker wasn’t brought back for that part. I’d have liked more conniving Starscream (who wouldn’t?) but there’s always the sequel in 2009, something for which he is set up perfectly.

What really steals the show, though, are the incredible effects. The Transformers are full of detail and moving parts, and never really look like CG, with the transformations themselves deserving all kinds of awards next year. I couldn’t spot where the big CG robot ended and the real car began, especially when they pull off moves like transforming in mid-stride, flipping between modes in mid-air, and wreaking some stunning-looking havoc on themselves and others at the end.

This summer’s blockbusters have almost all disappointed, but this one actually lived up to my expectations. Bay has done a great job of providing what his fans like and also giving those who would go to the showing in a Transformers t-shirt (not me, you understand) plenty to be happy with. Bring on the sequel.

Transformers Binge

The movie could be wank, despite how great the latest trailer looks (remember The Phantom Menace?), but I’m sure even those Transformers fans who have fallen farthest from the tree can’t fail to be excited by the potential for big screen spectacle and a new generation of toys. I won’t mention the Bay if you don’t.

Like any good fanboy I’ve been buying the new stuff, encouraged by the current BOGOHP deal on Transformers in Toys R Us. And this isn’t counting the three versions of the original movie that I now own (original DVD, 20th anniversary DVD, ultimate tin), my old toy collection, Dreamwave G1 comics, and the splendid 20th anniversary Optimus Prime that I nabbed from eBay.

Movie Leader Optimus Prime

Movie Leader Optimus Prime

I think this guy looks better than the actual movie iteration, even if he’s no G1 Prime. Similar size to my 20th anniversary Prime and with flashing lights and sounds so that you know that he’s from the 21st century.

Continue reading Transformers Binge

Ten Things I Learnt from Kevin Smith

Ever since I saw An Evening With Kevin Smith it’s been my mission to see one of his legendary Q&As, but his trips to the UK don’t happen too often. On every previous occasion I didn’t find out in time, so this one must have been kismet as I fired up my RSS reader for the first time in ages, just in time to be informed that it was happening.

So that was where I was last night, and I ended up learning some interesting stuff from the great raconteur.

  1. If Kevin Smith had to pick a man to have sex with, it’d be his friend Bryan Johnson.
  2. Kevin Smith’s next comedy, which he has just about finished writing but won’t be made until after his planned horror movie (inspired by Race with the Devil), will apparently have the most self-explanatory title ever, on the same level as Snakes on a Plane. Unsurprisingly, he wouldn’t tell us the title.
  3. Kevin Smith is currently a fan of (NSFW!) SexyLabia.com. I dread to think how much comment spam posting that link will bring in.
  4. Kevin recently bought a miniature dachshund because he and his daughter thought they were funny. Despite the age difference (eight years next to less than a year, or 56 and 6 using that seven-dog-years-to-one-human-year thing), his labrador Mulder may have gotten the weiner dog pregnant.
  5. Jeremy London is the only actor that Kevin regrets casting. Despite the fact that Jason Lee was far better, Jeremy gave him notes on how to improve his performance.
  6. Kevin finds the idea of black pudding abhorrent. As do I, to be fair. He also finds British cuisine’s obsession with pigs weird.
  7. Harvey Weinstein wanted them to show Clerks 2’s pussy troll on screen. Kevin and Scott Mosier didn’t want to, so set out to make it unusable by either making the depiction far too offensive (getting John Kricfalusi to animate something obscene that wouldn’t make it past the MPAA) or too lame (Jason Mewes dressed up as a troll doll inside a giant wooden pussy). Despite Mewes’ enthusiasm – he’d get to keep the wooden pussy, you see – the idea thankfully passed.
  8. Kevin ended up rewriting his whole scene in Die Hard 4.0, giving himself a huge speech. The studio was unsure about it because it turned a humourous scene into one with a ton of exposition, but Bruce Willis had Kevin’s back (“let me ask you this: who’s your second choice to play John McClane?”).
  9. Kevin Smith can use the word ‘tchotchke’ in a sentence. I still struggle to pronounce it.
  10. Lucas and Steven Spielberg are huge nerds: they like to compare websites and look at pictures of women in lingerie together. And Lucas liked the Death Star contractors idea in Clerks.

My photos are up on Flickr here.

And, one thing I learnt in London itself: some people shouldn’t be allowed to drive. This is aimed at the cunt that almost took us all out on the zebra crossing in Richmond.

Pan’s Labyrinth

Pan's Labyrinth

I miss this type of fantasy film. While Lord of the Rings and its derivatives pull in untold amounts of cash, the more intimate ones where someone from our world finds themselves in a mystical land – think The NeverEnding Story or, conveniently, Labyrinth – never seem to have survived the 80s.

Maybe people like massive CG battles and vast, open plains better than a bit of Jim Henson’s Creature Shop. My theory is just that LOTR doesn’t have David Bowie’s scary 80s hair it it. Or David Bowie, for that matter.

Del Toro is one of my favourite directors at the moment, since he clearly has a wonderful imagination and the means to realise it. Here he shows that he’s just as adept at serious period drama – much of the film takes place in the early days of Franco’s fascist Spain, at a military outpost – but balances it superbly with the fantasy elements. I was frankly surprised at how far the film pushes its 15-rating (clue: there’s no sex or bad language), and yet he still maintains the innocence of Ofelia’s fantasy world, regardless of what’s happening in “reality” (or is it, etc?).

One thing that really blew me away here is the quality of the Oscar-winning makeup work. The all-CGI face of Davy Jones in Pirates 2 had raised the bar for fantasy characters (the best thing in that movie, it’s stunning) but Doug Jones as the faun and the Pale Man looks incredible, and all with minimal CGI on both characters. The Pale Man in particular is one of the most sinister movie monsters in years, and no doubt due a Movie Maniacs figure that’ll be decorating my shelf in the near future.

I ended up enjoying Pan’s Labyrinth so much that I’ve ordered the beautiful Korean limited edition to go with my UK DVD. We got this film on DVD a couple of months before it’s due in the States admittedly (minus DTS-ES 6.1 sound), but how come we don’t get special editions like that?