Tag Archives: Microsoft

PlayStation 4 vs Xbox One

Although I’ve resolutely been a multi-console owner since at least the 32-bit days, firmly believing that it’s impossible to get the full picture without having access to every game on the market, this is the first time I can remember a generation having such a clear frontrunner for where the best gaming experiences will be found.

In fact, I’ve tended towards the Xbox consoles for the last two generations, opting for the better online experience and typically stronger versions of third-party titles, keeping the Nintendo and Sony boxes for the more interesting first-party games.

PS4 and Xbox One logos

Like many gamers, though, I’ve found myself disillusioned by Nintendo and Microsoft in the home console field. The Wii was a disappointment and the Wii U a non-starter, and the Xbox 360 has been on autopilot since Kinect launched, Halo 4 being a solitary bright spot in period that hasn’t been much better than the non-existent years 4-7 of the original Xbox. Microsoft apparently doesn’t know how to close out a console.

Perhaps Sony is actually suicidal, the only one who hasn’t realised that traditional consoles are dead and therefore heading for catastrophic losses, while hardcore gamers are stuck in their ways and unable to see the conventional gaming model collapsing around them.

Part of me thinks the latter is true and that the AAA model is unsustainable, but that’s another story.

It’s bizarre that Nintendo and Microsoft seem to be surrendering the hardcore market so meekly. Admittedly, the rewards are colossal if you manage to be the one who cracks the code and turns a gaming console into something as essential as a DVD player or DVR, but it’s gamers who supported this industry through thick and thin, and the market was certainly healthier a decade ago when they were being catered to with original, challenging games and there were more than half a dozen publishers.

But let’s not forget that it’s early days. Neither console has many games revealed and Microsoft’s promises of software support are aggressive, as they’ll need to be against Sony’s fleet of world class studios. Sony clearly has the edge in raw power – and that coupled with the aforementioned developers is a formidable mix – but that hasn’t ever guaranteed success in the console market. The industry’s history is littered with superior hardware beaten by its weaker but better supported, better marketed competition. Then again, the last time Sony was so clearly in the driving seat going into a new generation, so on the ball about giving gamers what they want, saw domination like we haven’t seen before or since.

All we know for sure is that this E3 is going to be spectacular.

Game good, DRM bad

The furore over SimCity’s always-online DRM has been inescapable over the last few days. EA has joined Activision (via Blizzard) in spectacularly failing at launching a major new game with mandatory online functionality, hopefully casting doubt over the future of the approach when titans with such deep pockets can’t make it work.

People are understandably upset, and it’s led to a predictable outcry aimed at media outlets who haven’t factored such technical issues and consumer-unfriendly DRM into their scores. Reviewers are out of touch, the argument goes, because they get to play these games without paying for them, in conditions where the authentication servers are nowhere near capacity, with a PR team on the other end of the phone who’ll bend over backwards to fix any issues, lest the critic have anything other than a stellar experience.

I’m siding with the reviewers here, though. And I think Polygon was wrong to change the score on its review.

That said, I’m not defending this form of DRM. It’s shit, and it’s a practice that shouldn’t continue. If the rumours about the next Xbox requiring a constant Internet connection and so effectively doing this across the board – and as good as Xbox Live is, it can’t be said that it’s been immune from capacity issues – are true, it’ll put my investment in the console in doubt.

But the quality of the game and the DRM are separate issues. The fact that its DRM is overzealous doesn’t make SimCity a bad game any more than the fact that I can’t rip my Blu-ray to watch the movie on my iPad makes Wreck-It Ralph a bad movie. That argument would be ridiculous in film criticism, but when writing about games it seems to be a common opinion. Maybe, if games are art, we need to separate the reviews of the game from the program, as a DVD review would award separate scores for the movie and the AV quality.

It all comes back to an argument I’ve made before that people want consumer advice, not reviews. A list of features and a number at the end, being careful not to rate it anything that might affect the Metacritic score too negatively.

When all this is ironed out and SimCity becomes reliable and playable, it will be a 8, 9, 10, or whatever score you think it’s worth. And since it’ll be the same game as everyone’s trying to play now, so it should always be.

Thoughts before tomorrow’s announcement

So in all likelihood we’ll be looking at the first of the next-gen consoles by tomorrow. Sorry, Nintendo, but it’s true.

I’d forgotten how exciting all this can get. There’s news to talk about, specs to argue over, and fanboys getting far too emotionally invested. I expect the usual sieve-like memories as gamers gush over the graphical prowess shown off in CGI trailers and imagine that developers will use this newfound hardware power to make things run at 60 frames per second, only to be disappointed when neither happens. Again.

Sony

Now I’m assuming that we’ll get some glimpse of the PlayStation 4 tomorrow. If we don’t, a lot of the media is going to be looking very silly, and the initiative is with Microsoft. I don’t expect that, though. Just like glimpses of The Last Guardian, new hardware announcements have to happen some time, and this generation has gone on quite long enough.

Although I’ve happily played for both sides this generation, it’s clear from my collection – 105 Xbox 360 games to 30 on the PS3 – that the 360 has been my console of choice. Unless the PS3 version of a game has been demonstrably better (Portal 2) or once, as in the case of Dark Souls, out a desire to keep both instalments in a series on the same platform, I’ve plumped for the 360 editions of multiplatform games. Controller preferences, a better online experience and generally superior 360 ports made that an easier approach.

Now that we’re on the verge of a new generation, though, I find myself much more excited about the prospect of the PS4 than whatever Microsoft announces in the next few months.

In the last couple of years I feel like we’ve had a glimpse at what a console landscape dominated by Microsoft would bring. Kinect integration everywhere; dashboard updates whose main function is seemingly to put more adverts into a service you’re already paying for; an increasingly dull first-party line-up that consists of four or five franchises on a rotation you can set your watch by; more and more functionality hidden behind a service that, though good, is increasingly hard to justify for £40/year; restrictions on developers that want to offer free DLC. Word on the street is that, as a rule, Microsoft will only allow DLC to be free when it’s offered as such on rival platforms, and I think that is the best possible evidence of the importance of competition.

At this point in the previous console cycle, Sony was insufferable. The astonishing arrogance that came out of the domination of the PS2 era and culminated in that price tag and a console that wasn’t a complete failure, but was certainly a disappointment based on previous sales performance. That coupled with two consecutive tonkings in the handheld space give me the feeling that Sony has learnt some humility.

The talk is that the PS4 is built on familiar architecture, not the powerful but esoteric nightmare that was the PS3. It sounds like it’s built to be straightforward to develop for, rather than as a vanity project for Sony’s hardware labs. That hardware allowed for spectacular first-party productions but meant multiformat development still suffers next to other versions of the same games. This time, if the rumours are correct, platform parity is much more likely, and we can still count on the talent of Sony’s affiliates to push boundaries more than I suspect we will from Microsoft’s, who have been gutted over the years while Sony’s have expanded.

Take these things on board, and improve the user experience of the PS4 – no important functionality sloppily implemented at a later date (trophies) or not at all (cross-game chat), no mandatory installations, and no downloads that lock you out of doing anything while they unpack – and I feel like Sony has a good chance of rising back to the top this generation. It was quite rightly chastised last gen, and in a climate where conventional gaming has more competition than ever for people’s entertainment time, a resurgent Sony, focused on producing a fantastic, powerful games console above all else, is a very good thing.

The dark side of blocking used games

I don’t tend to buy games used unless it’s unavoidable, which I suppose makes me fairly indifferent to the fearmongering that comes along frequently regarding the eventual prohibition of playing used games on consoles. Now that this could actually happen, I’d like to draw attention to my caveat in the previous sentence: unless it’s unavoidable.

The last used game I purchased was the original Darksiders, which was a couple of years old at the time and not available new anywhere, as far as I could see. I wanted to play the game because of the good things I was hearing about its sequel, so I got a copy on eBay for around £5. I’d have happily paid £10, £15 for a new one, but that wasn’t an option.

Availability of back catalogue games is a serious issue (see also: Pirates or Preservationists?), even beyond the way that the generational march and decline in backwards compatibility cuts us off from running yesterday’s games on today’s hardware. It doesn’t happen with film, where just about any major movie from the dawn of cinema up to the current Oscar contenders is or shortly will be available to play on a shiny disc, and the same goes for music and books. I can find The Beatles, Beethoven and Jane Austen readily, even separated from them by decades or even centuries.

The next-gen consoles will likely offer all retail releases as downloadables for those who are so inclined, treating the symptom of availability, if not curing the disease that my PS4 likely still won’t play my PS3 games. Hopefully, by the time we’re looking at the next next generation, it’ll be possible to log on to each system’s respective online service and download a minor gem from 2013 that I might have missed the first time.

There’s one problem, though…

Download prices

I don’t trust the platform holders to loosen the reins on digital pricing in the way that Valve has done with Steam. They’re too beholden to keeping retail partners happy to let publishers sell a game for 75% off mere months after release. Stories already abound of digital-only games being stuck to rigid price tiers or limited in what free content they can offer, as the platform holders – Microsoft in particular, it must be said – are out to monetise everything.

Or maybe I’m wrong, and cutting the used game market out will allow for more aggressive pricing of digital games. If books, music and movies going digital has taught us anything, after all, it’s that publishers are keen to pass the benefits on to consumers, right?

The money men won’t see the value in selling games for deep discounts, for not sticking to the American model where the RRP/MSRP is not so much a suggestion as a commandment. It’s not like here where new games are routinely £10 or more under the recommended price on day one. Who actually pays £49.99 for a new Xbox 360 game?

A few exceptions due to licensing aside, every Xbox Live Arcade and PSN game released for their respective platforms is still available. They’re usually still the same price as they were on day one, which kind of proves my point, but at least the issue of long-term availability of games could be close to being solved. That said, my experiences with always-online games haven’t been good, and I can’t help but think back to the odd enforced disconnections, like when I’ve moved home and had to wait to be hooked up, when I’d suddenly find my £50-a-time ways to pass the time being unavailable when I most need them.

Hopefully this turns out to be nonsense, because a console that can’t work offline from Microsoft makes the choice of which next-gen console to buy first much easier.

Best of 2012 #2: Halo 4

Halo 4There’s no way Halo 4 should have been as brilliant as it is. Reopening a series that closed quite nicely, farmed out to a brand new studio for the fifth instalment in seven years. Just goes to show that throwing immense amounts of money at a project and setting technical geniuses on performing miracles with ageing hardware can do big things for what could have ended up being a fairly safe sequel.

I was frankly blown away by how good this game was. Putting aside how ridiculous it looks, it was an outstanding debut for 343 Industries, clearly showing where every penny of those huge production values went. Credit, too, for the story, which I, as a huge fan of the series’ wider fiction – I’ve read ten novels so far – found fascinating. Jen Taylor made it thanks to some touching moments as Cortana, managing to add pathos to a tale about the relationship between a super soldier and a computer. Quite an achievement.

And the multiplayer is arguably the best the series has seen since Halo 2. I just with the BTB players would pick something other than Ragnarok.

Honestly, Halo 5 is probably the number one reason why I’ll be buying the next Xbox. 343 undoubtedly built this engine with the upcoming generation in mind, and if this is a hint at what we have to look forward to, I can’t wait.

Halo 4: How is This Even Possible?

You know, after so many years it’s only natural that this generation of hardware has run dry, that it’s impossible for the consoles to impress us any more…

Halo 4 cut-scene

Well, that’s a cut-scene. Obviously prerendered.

Halo 4 E3 2012

Nope. PR bullshot. Show me some real screens.

Screenshot © Eurogamer

Okay, so that one’s from Digital Foundry’s tech breakdown. It’s pretty undeniably indicative of how good Halo 4 looks. How 343 Industries has done this, how it got hardware that has seemingly been running on fumes for years now to push out what I don’t think, resolution aside, would look out of place on a decent PC gaming rig, how many virgins had to be bled dry in sacrifice to the gods of gaming, is utterly beyond me.

It doesn’t change my tune about new consoles being desperately needed, but I haven’t been this impressed with a game’s visuals since Uncharted 2. I’m genuinely flummoxed at why even first-party 360 games have so often been allowed to coast visually, content to be adequate rather than spectacular and giving rise to a popular opinion that the PS3 has a noticeable performance advantage. It frankly shows how lackadaisical Microsoft has been in pushing its developers and partners this gen, and I hope that this is the first sign of a rumoured push for more high-quality, exclusive, internally produced content from Redmond in the next generation.

Plus it’s bloody good to play. That always helps.